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 楼主| 发表于 2019-9-6 09:41:45 | 显示全部楼层 |阅读模式
各位同学们,为了督促帮助大家持续提升英语能力,培君老师们特意给大家准备了托福每日一包。每天覆盖听说读写内容,坚持完成两周以上,就能见到自己的英语能力不断上涨哟。
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1.听写包 答案:

Hugo also opposed the neoclassical insistence onthe separation of genres.

For a neoclassicist, a play could only be dramaticand high art, or comic, well, light-hearted.
And in either case, there was still a sense ofdecorum.
Characters might make jokes and get into sillysituations, but they’re still regular people, like not indisguise or anything.
There’s still a certain amount of restraint in aneoclassical comedy.
Again, earlier works by Shakespeare provided very different models that Hugo found moreappealing.
Many of Shakespeare’s plays, even the tragedies, contain scenes with ridiculous, outlandishcharacters like clowns,
so that many of the plays have both qualities: a serious dramatic side and comedic scenes withthe clowns that break the drama.
And Hugo, like other Romantics, was also opposed to the artistic rules that the neoclassicistshad inherited from the Enlightenment.
The Romantics wanted a more passionate kind of theater and it was more rooted in theindividual and the individual sensibility.
Romanticism was political as well, claiming that individuals, people, could govern themselves, without the need for kings and queens.
There was an ideological struggle between a lot of young people, artists, people who wantedchange, and people who didn’t.
So of course Romanticism was controversial.
Hugo还反对新古典主义对流派分离的坚持。
对一个新古典主义者来说,一部戏只能是戏剧性的和高雅的艺术,或者滑稽的,轻松的。
无论是哪一个类别,仍存在一种守礼的感觉。
戏剧中的角色也许会开玩笑,陷入愚蠢的境况,但是他们仍是普通人,没有伪装之类的。
在新古典主义的喜剧中仍有一定程度的约束。
莎士比亚的早期作品提供了非常不同的模式,Hugo认为它们更具吸引力。
莎士比亚的很多戏剧,即使是悲剧,也包含了像小丑一样荒诞、古怪的角色,
所以他的很多戏剧都同时有两个特点:严肃的戏剧的一面,和打破戏剧的有小丑的喜剧场景。
而Hugo,和其他浪漫主义者一样,也反对新古典主义者从启蒙运动中继承的艺术法则。
浪漫主义者想要的是一种更加热情的戏剧,而它更多来自个人及个人的感觉。
浪漫主义也具有政治性,宣称个体,人们能够管理自己,不需要国王和王后。
很多年轻人、艺术家,渴望改变和不希望改变的人们之间存在着一种意识形态上的挣扎。
所以浪漫主义当然富有争议。


2. 阅读包答案:

在1890年到1920年间铁路的黄金时期,美国有几个人(他们大多有丰富的铁路经验)以写铁路题材为职业——作品围绕车站、停车场和机车。


3.写作包答案:


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